“If all parts of the fire are equally large and bright, it starts looking more fake,” says Case. “They create a wispiness that I enjoy.”įocus on one aspect of your fire drawing to keep it intriguing. “Often, I’ll find myself using grittier ink brushes as opposed to more solid brushes,” says Elliott. Try a mix of thinner, more opaque lines and thicker, more granulated strokes. If you’re drawing digitally, add dimension to your fire with different sizes and textures of brushes. If you have flying embers, you need to make them look unorganized.” “So why should we be able to control it in our artwork? You have to let it do its own thing. “Fire is one of those things that, no matter what, we cannot control,” says Elliott. Steer clear of straight lines and perfectly symmetrical curves. Then you have oxygen flowing up around what’s burning and it’s twisting that gas.” Wherever the fire is hottest will be your brightest area, and wherever the wind is blowing is where it will lean.įire is organic and imperfect. “You have gases from whatever’s burning escaping and going up in ribbon shapes. “The basic physical science of fire is your starting point,” says Case. It’s that magical thing that makes us stare at fire and how alien it is.” The flatness indicates to our brains that it’s a bright light source. “You want to focus on making it look almost flat. “You don’t want to overdo it,” says comic book artist Jonathan Case. Fire is a bizarre phenomenon, and adding too much structure or detail can work against you. “But to instantly make it more realistic,” says illustrator Lucas Elliott, “you have to make it dance.” Explore the tips and guidelines below to draw everything from blazing flames to burning embers.ĭrawing simple flames that look convincing is not as complex as it may seem. You can depict a basic candle flame with a simple teardrop shape. Whether you want to draw flames on candles or roaring bonfires, getting your blaze just right is all about movement.
Fire can be tricky to capture in artwork.
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